Acoustic comparison of soprano solo and choir singing.
Identifieur interne : 000324 ( Main/Exploration ); précédent : 000323; suivant : 000325Acoustic comparison of soprano solo and choir singing.
Auteurs : T D Rossing ; J. Sundberg ; S. TernströmSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 1987.
Descripteurs français
- KwdFr :
- MESH :
English descriptors
- KwdEn :
- MESH :
Abstract
Five soprano singers were recorded while singing similar texts in both choir and solo modes of performance. A comparison of long-term-average spectra of similar passages in both modes indicates that subjects used different tactics to achieve somewhat higher concentrations of energy in the 2- to 4-kHz range when singing in the solo mode. It is likely that this effect resulted, at least in part, from a slight change of the voice source from choir to solo singing. The subjects used slightly more vibrato when singing in the solo mode.
DOI: 10.1121/1.395281
PubMed: 3655117
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<author><name sortKey="Sundberg, J" sort="Sundberg, J" uniqKey="Sundberg J" first="J" last="Sundberg">J. Sundberg</name>
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<term>Humains (MeSH)</term>
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<front><div type="abstract" xml:lang="en">Five soprano singers were recorded while singing similar texts in both choir and solo modes of performance. A comparison of long-term-average spectra of similar passages in both modes indicates that subjects used different tactics to achieve somewhat higher concentrations of energy in the 2- to 4-kHz range when singing in the solo mode. It is likely that this effect resulted, at least in part, from a slight change of the voice source from choir to solo singing. The subjects used slightly more vibrato when singing in the solo mode.</div>
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<DateRevised><Year>2019</Year>
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<Title>The Journal of the Acoustical Society of America</Title>
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<ArticleTitle>Acoustic comparison of soprano solo and choir singing.</ArticleTitle>
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<Abstract><AbstractText>Five soprano singers were recorded while singing similar texts in both choir and solo modes of performance. A comparison of long-term-average spectra of similar passages in both modes indicates that subjects used different tactics to achieve somewhat higher concentrations of energy in the 2- to 4-kHz range when singing in the solo mode. It is likely that this effect resulted, at least in part, from a slight change of the voice source from choir to solo singing. The subjects used slightly more vibrato when singing in the solo mode.</AbstractText>
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